• 2000
  'Art Now: Martin Creed', Tate Britain, London
  'The Lights Going On And Off', Gavin Brown's enterprise, corp, New York
  'MARTINCREEDWORKS', Southampton City Art Gallery, Southampton (and toured to Leeds City Art Gallery, Leeds and Bluecoat Gallery, Liverpool) (curated by Godfrey Worsdale) [cat]
  Work No. 225, Times Square / 42nd St, New York (commissioned by Public Art Fund)
  
• 1999
  Mark Foxx Gallery, Los Angeles
  Art Metropole, Toronto
  Galerie Praz-Delavallade, Paris Cabinet, London
  Work No. 203, The Portico, London (curated by Ingrid Swenson)
  Work No. 160, Space 1999, London (curated by Matthew Higgs)
  Alberto Peola Arte Contemporanea, Turin
• 1998
  Galerie Analix B & L Polla, Geneva
• 1997
  Galleria Paolo Vitolo, Milan
  Victoria Miro Gallery, London
  The British School at Rome, Rome
• 1995
  Galerie Analix B & L Polla, Geneva
  Galleria Paolo Vitolo, Milan
  Camden Arts Centre, London
  Javier López Gallery, London
• 1994
  Cubitt Gallery, London (Part 3 of “Weekenders”, curated by Matthew Higgs)
  Marc Jancou Gallery, London
• 1993
  Work No. 78, Starkmann Limited, London

• 2000
  'A casa di...', Fondazione Pistoletto, Biella. Curated by Giacinto di Pietrantonio
  'Intelligence: New British Art 2000', Tate Britain, London. Curated by Charles Esche and Virginia Button [cat]
  '...sabotage...', Shed im Eisenwerk, Frauenfeld. Curated by Sabine Schaschl [cat]
  'The British Art Show 5', Edinburgh +Touring. Curated by Pippa Coles, Matthew Higgs and Jacqui Poncelet [cat]
  'DON'T WORRY', Chelsea & Westminster Hospital, London. Curated by Tamsin Dillon [cat]
  'The Invisible Touch', Kunstraum Innsbruck, Innsbruck. Curated by Maia Damianovic
• 1999
  'Limit Less / Aktuelle Britische Kunst', Galerie Krinzinger, Vienna. Curated by Matthew Higgs
  '54 x 54 x 54', Museum of Contemporary Art, London
  'Porcupines / Arthinking', 291 Gallery, London. Curated by Graham Higgin
  'Searchlight: Consciousness at the Millenium', California College of Arts & Crafts, San Francisco. Curated by Lawrence Rinder [cat]
  'Getting the Corners', Or Gallery, Vancouver. Curated by Matthew Higgs
  'nerve', ICA, London. Curated by Nerve Systems Anthony Wilkinson Gallery, London
  'SERENDIPITY', Watou, Belgium. Curated by Giacinto Di Pietrantonio [cat]
  'Ainsi de suite 3 (deuxième partie)', Centre Régional d'art contemporain, Sète. Curated by Sabine Schaschl
• 1998
  'Lovecraft', Spacex Gallery, Exeter. Curated by Martin McGeown & Toby Webster
  'Imitating Christmas', Wiensowski & Harbord, Berlin. Curated by Jens Hoffmann
  'every day', 11th Biennale of Sydney, Sydney. Curated by Jonathan Watkins [cat]
  'Proper: Blind Date 1', Titanik, Turku, Finland. Curated by Paula Toppila [cat]
  'Speed', Whitechapel Art Gallery, London. Curated by Jeremy Millar [cat]
  'Crossings', Kunsthalle Vienna. Curated by Cathrin Pichler [cat]
  'Camouflage 2000', Galerie Praz–Delavallade, Paris. Curated by Robert Garnett
  'Lovecraft', South London Gallery. Curated by Martin McGeown & Toby Webster
  'Not Today', Gavin Brown's enterprise, Corp., New York
  'Sunday', Cabinet Gallery, London. Curated by Matthew Higgs
  'Not Nothing', Todd Gallery, London Delfina, London. Curated by David Gilmore
  'An Idea of Art/Art and Life', Galleria Paolo Vitolo, Milan
• 1997
  'Dimensions Variable', Helsinki & Stockholm + Touring [cat]
  'Laure Genillard – Une sélection et une collection', Galerie de l'Ancien Collège, Chatellerault
  'Lovecraft', CCA, Glasgow. Curated by Martin McGeown & Toby Webster Cairn Gallery, Nailsworth, Gloucestershire
  'Thoughts', City Racing, London. Curated by Carolina Grau
  'Supastore de Luxe No. 1', Up & Co, New York. Curated by Sarah Staton
  'Imprint 93 (and other related ephemera)', Norwich Gallery, Norwich. Curated by Matthew Higgs
  'Answer 'Affirmative' or 'Negative'', Art Metropole, Toronto Galerie Mot & Van den Boogaard, Brussels. Curated by Macha Roesink
  'Snowflakes Falling on the International Dateline', CASCO, Utrecht. Curated by David Lillington
• 1996
  'Life/Live', Musee d'Art Moderne, Paris. Curated by Laurence Bosse and Hans Ulrich Obrist [cat]
  'The Speed of Light, The Speed of Sound', Design Institute, Amsterdam. Curated by Jeremy Millar
  'Against', Anthony D'Offay Gallery, London
  'Ace!', Arts Council Collection, Hayward Gallery, London +Touring [cat]
  'A Century of Sculptors' Drawings', Karsten Schubert, London [cat]
  'East International', Sainsbury Centre for Visual Arts, Norwich [cat]
  'Tracce 1995-96', Galleria Paolo Vitolo, Milan
  'Some Drawings: From London', The Rooms, London. Curated by Kate Bernard
  'A4 Favours', Three Month Gallery, Liverpool. Curated by Padraig Timoney
  'Banana Republic', Bund, London. ('Room' curated by Matthew Higgs)
  'try', Royal College of Art, London [cat]
  'Kiss This', Focal Point Gallery, Southend-on-Sea
  'weil morgen', Eisfabrik, Hannover. Curated by Stefan Kalmar
  'Affinata', Castello di Rivara, Turin. Curated by Carolin Lindig
• 1995
  'Snow Job', Forde, Geneva. Curated by Lionel Bovier
  'My Darling Cicciolina…', last order(s), London. Curated by Francesca Piovano [cat]
  'Just Do It', Cubitt Gallery, London. Curated by Stefan Kalmar Laure Genillard Gallery, London
  'Imprint 93/ City Racing', City Racing, London. Curated by Matthew Higgs
  'Zombie Golf', Bank, London 'Unpop', Anthony Wilkinson Fine Art, London. Curated by Bob & Roberta Smith
  'Multiple Choice', Jibby Beane, London
  'The Fall of Man' Three Rooms and a Kitchen, Pori, Finland
  'In Search of the Miraculous', Starkmann Ltd, London
  'Fuori Fase', Viafarini, Milan. Curated by Angela Vettese 1994
  'Art Unlimited: Multiples of the 1960s and 1990s', CCA,Glasgow + Touring [cat] Todd Gallery, London
  'Conceptual Living', Rhizome, Amsterdam. Curated by Macha Roesink
  'Potato', IAS, London. Curated by Gary Thomas, Steve McIntyre & Alison Jacques
  'Sarah Staton's Supastore Boutique', Laure Genillard Gallery, London
  'The Little House on the Prairie', Marc Jancou Gallery, London
  'Modern Art', Transmission Gallery, Glasgow
  'Imprint 93/Cabinet Gallery', Cabinet Gallery, London. Curated by Matthew Higgs
  'Domestic Violence', Gio' Marconi, Milan. Curated by Alison Jacques
• 1993
  'Wonderful Life', Lisson Gallery, London
• 1992
  'Inside a Microcosm', Laure Genillard. Curated by Gareth Jones
  'Outta Here', Transmission Gallery, Glasgow. Curated by Douglas Gordon
  Angel Row Gallery, Nottingham. Curated by Mark Dey
• 1991
  Laure Genillard Gallery, London
  Angel Row Gallery Touring Show, Nottingham. Curated by Mark Dey
  
• 1989
  The Black Bull, London. Curated by Tess Jaray

• 1999
  The Scala, London
  Passerby Stop, New York *
  Art Metropole, Toronto *
  London Guildhall University, London *
  ICA, London (organized by Matthew Higgs) *
  Centre Régional d'art contemporain, Sète (organized by Sabine Schaschl)
  LUX Gallery, London
• 1998
  Club Beige & Sneakers, BüroFriedrich, Berlin
  College of Fine Arts, Sydney
  Roslyn Oxley Gallery, Sydney
  Museum of Contemporary Art, Sydney (part of 'every day', 11th Biennale of Sydney)
  'Dimensions Variable', Kunstsammlungen Chemnitz, Germany (organized by The British Council)
  'Flex', Vienna (part of the exhibition 'Crossings', Kunsthalle Vienna)
  Konstakademien, Stockholm (part of 'Dimensions Variable' organized by The British Council)
• 1997
  Club 414, Brixton, London (organized by Cabinet Gallery)
  The Red Eye, London
  'Waves In / Particles Out', CCA, Glasgow (organized by Toby Webster)
  The Police Station, Bethnal Green, London
  ICA, London
  'Bring Your Own Walkman', W139, Amsterdam (organized by Jack Jaeger)
  'Liste 97', Basel (organized by Cabinet Gallery)
  Museum of Installation, London
  Warwick Arts Centre, Warwickshire
  'Visitor', Stoke-on-Trent
  Night & Day, Manchester
  Big Mama's, Rome
  British School at Rome, Rome
  The Gate Theatre, London
  'Snowflakes Falling on the International Dateline', CASCO, Utrecht (organized by David Lillington)
• 1996
  Gavin Brown's enterprise, New York
  Chelsea School of Art, London
  'East International', Norwich
  'Kunstlerpop 2', Manchester
  St John's Tavern, London
  Cubitt Gallery, London
• 1995
  'Jibby's Christmas Party', Hanover Grand, London
  'Kunstlerpop', Manchester
  Smithy's Wine Bar, London
  Camden Arts Centre, London
  The Monarch, London
• 1994
  Ding Dong Twist Club, London

Frieze, London, Issue 52, May 2000. 'DON'T WORRY', by Dale McFarland
Modern Painters, London, Spring 2000. 'I'm Saying Nothing / 2000 words about Martin Creed', by Ian MacMillan
The Observer, London, 19.3.2000. 'Let there be light', by Jonathan Jones The Times, London, 15.3.2000.
'He's got the whole world in his signs', by Rachel Campbell-Johnston VERY, New York, March 2000.
'Work No. 236: Project for VERY' ArtForum, February 2000.
'Openings: Martin Creed', by Louisa Buck The New York Times, New York, 29.1.2000.
'As Crowds Flow Into Chelsea', by Holland Cotter The Guardian, London, 18.1.2000.
'Is this what they call pop art?', by Adrian Searle The Art Newspaper, London, Issue 98, December 1999.
'A message to our readers' and 'London calling by Louisa Buck' The Mirror, London, 12.11.1999.
'Q: Is this a screwed up piece of paper or the star of a new art exhibition? A: BOTH' by Tony Meenaghan Daily Record, Glasgow, 12.11.1999.
'THIS CRUMPLED SHEET OF A4 IS A WORK OF ART', by Cara Page
'searchlight: consciousness at the millenium', edited by Lawrence Rinder. Published by Thames & Hudson, 1999
C International Contemporary Art, Toronto, Issue 63, September 1999.
'Fresh Heir' by Lisa Gabrielle Mark
'THIS IS MODERN ART' by Matthew Collings. Published by Weiden feld & Nicolson, London, 1999
'Contemporary Sculpture in Scotland' by Andrew Patrizio. Published by Craftsman House, 1999
'SERENDIPITEIT' by Giacinto di Pietrantonio and Gwy Mandelinck. Published by Watou Poeziezomer, 1999
Art Monthly, London, Issue 226, May 1999. 'Martin Creed' by Dave Beech
Metropolis M, Utrecht, April 1999. 'Martin Creed' by David Lillington
Untitled, London, Issue 18, Spring 1999. 'Martin Creed: 20 Questions' by Matthew Higgs
The Observer, London, 14.3.1999. 'What's so minimal about 15,000 balloons?' by Jonathan Jones
Saturday Times, Glasgow, 6.3.1999. 'Meet the modern artist who admits his work is rubbish' by Brian McIver
'Proper (blind date) 1–3', edited by Paula Toppila. Published by FRAME Finnish Fund for Art Exchange, 1998
The Art Newspaper, London, Issue 86, November 1998. 'UK Artist Q&A', interview by Louisa Buck
'cream - contemporary art in culture'. Published by Phaidon Press, London, 1998
'every day', compiled by Juliet Bingham, Joe Spark and Jonathan Watkins. Published by the Biennale of Sydney Ltd, 1998
Revolver, Sydney, 28.9.1998. 'Live Scene: Owada' by Craig Stephens
'Make it Funky: Crossover zwischen Musik, Pop, Avantgarde und Kunst', Ulrike Groos / Markus Müller. Published by Oktagon, Cologne, 1998 (Jahresring; 45)
'CROSSINGS. Kunst zum Hören und Sehen', Edited by Cathrin Pichler.Published by Kunsthalle Wien, Cantz Verlag, 1998
'BLIMEY From Bohemia to Britpop' by Matthew Collings. Published by 21, London, 1997
VERY, Issue 2, New York, 1997. 'Go into a shop and ask for nothing' by Hadrian Pigott and Paul H-O
'Dimensions Variable – New Works for the British Council Collection' by Ann Gallagher, Published by The British Council, 1997
Contemporary Visual Arts, Issue 17. 'Minimal Interventions' by David Green
Art Monthly, London, Oct 1997, Issue 210. 'Band Art' by Andrew Wilson
Art Monthly, London, Issue 208, Jul – Aug 1997. 'The Object of Art' by Michael Archer
Art Monthly, London, Issue 208, Jul – Aug 1997. 'Propositions' by Sotiris Kyriacou
The Guardian, 27 May, 1997. 'Generation W(eird)' by Carl Freedman
The Idler, London, Issue 18, Spring 1997. 'The Idler Presents: owada' by Kira Joliffe
Art + Text, No. 56, February – April 1997. 'Martin Creed – No Entry' by Alex Coles
Metropolis M, Utrecht, Holland. Number 1, February 1997. 'zonder titel 1 T/M 4' by Oscar van den Boogaard
'Bookworks – A Partial History and Sourcebook', edited by Jane Rolo & Ian Hunt. Published by Bookworks, London, 1996
'Life/Live', Laurence Bosse and Hans Ulrich Obrist. Published by Paris-Musées, éditions des nusées de la Ville de Paris, 1996
'Martin Creed: the whole world + the work = the whole world'. Design by Martin Creed. Includes text by John O'Reilly. Published by Galerie Analix B & L Polla, Geneva and Karsten Schubert, London, 1996.
Art Monthly, London. Issue195, April 1996. 'Martin Creed Tabula Rasa' by Gilda Williams
'Ace!'. Published by the Arts Council of England, 1996
'From Figure to Object: A Century of Sculptors' Drawings'. Published by Frith Street Gallery & Karsten Schubert Gallery, London, 1996
'EAST International'. Published by Norwich Gallery and Sainsbury Centre for Visual Arts, 1996
Flash Art Italia, Milan. December-January 1995-1996. 'Martin Creed', pg 110, Cloe Piccoli
'Martin Creed: Work No. 117' (audio cassette). Text on inner sleeve by John O'Reilly. Published by Paolo Vitolo, Milan, 1995
'My Darling Cicciolina…', Published by FILEF, London, 1995
Time Out, London, 30.8.1995-6.9.1995.'Sound & vision' by Sarah Kent
Art Review, London, Volume XLVII, June 1995. 'The Ruby Kelly Column'
Art Monthly, London. Issue 185, April 1995. 'Unlimited Works at Starkmann Limited' by Erika Lederman
'Art Unlimited: Multiples of the 1960s and 1990s'. Published by the Arts Council of England, 1994
The Modern Review, London, Volume 1, Issue 16, August-September 1994. 'Art for Bart's sake' by John O'Reilly
Time Out, London, 21.7.1994-27.7.1994. 'Martin Creed & Sam Samore' by Adrian Searle
City Limits, London, January 1992. 'Matthew Collings on some kind of sculpture show at Laure Genillard' by Matthew Collings