1963 Born, St. Andrews, JAMAICA. Lives and works in New York, NY.
SOLO EXHIBITIONS AND PROJECTS    
  • 2000
    Sightings, GAM; Galleria Civica d'Arte, Torino, Italy, June 29 - August 26, curated by Alessandra Pace
  • 1997
    Nari Ward, Institute of Visual Arts, Milwaukee, WI
  • 1996
    Happy Smilers: Duty Free Shopping, Deitch Projects, New York, NY
  • 1995
    Amazing Grace, Harlem Firehouse Space, New York, NY
  • 1994
    Idle/Drift, Le Magasin, Centre National d'Art Contemporain, Grenoble, FRANCE
  • 1993
    Carpet Angel, The New Museum, New York, NY AmazingGrace, Harlem Firehouse Space, New York, NY
GROUP EXHIBITIONS  
  • 2001
    Transforms, Roman Theater, Trieste Italy, curated by Roberto Pinto and Emanuela De Cecco The Overexcited Body, Museum of the Arengario (Piazza del Duomo, Milan, Italy, curated by Adelina Von Furstenberg Crossing the Line, Queens Museum of Art, Queens, NY, June 17 - Oct. 10, curated by Valerie Smith A Room Is a World, Kunsthalle Zurich, Zurich, Switzerlan, August 25 - Oct. 21, curated by Daniel Kurjakovic
  • 2000
    Playgrounds & Toys, Art for the World, UNI Dufour building; The University of Geneva, Geneva, Switzerland. Lobby installation and Sculpture garden Commission, Walker Art Center, Minneapolis, MN. Quiet in the Land; Projecto Axe, Museo de Arte Moderne, Bahia, Salvador, Brazil. Emerald Necklace Project, Institute of Contemporary Art, Boston, MA. Geography; Tree, collaborative work with Ralph Lemon, performed at the Yale Repertory Co., New Haven, Ct, Walker Art center, Minneapolis, MN, Yerba Buena Center for the Arts, San Francisco, CA and Brooklyn Academy of Music, Brooklyn, NY. Quotidiana, Museo d'Arte Contemporanea, Turin, Italy.
  • 1999
    Streetlife, Project Row House, Houston, TX Passages: Contemporary Art in Transition, The Studio Museum in Harlem, New York, NY
  • 1998
    I Love New York; Crossover of Contemporary Art, Museum Ludwig, Koln, GERMANY Global Vision; New Art from the 90s, Deste Foundation, Athens, GREECE Invitational Exhibition of Painting and Sculpture, American Academy of Arts and Letters, New York, NY Arkipelag; From Crash Between Islands to In(ter)fection, Sjohistoriska Museet, Stockholm, SWEDEN Edge of Awareness, World Health Organization, Geneva, SWITZERLAND, United Nations Hall of Visitors, New York, NY, P.S. 1 Contemporary Art Center, Long Island City, NY, and SESC de Pompeia, Sao Paulo, BRAZIL
  • 1997
    Geography, collaborative work with Ralph Lemon, performed at Yale Repertory Co., New Haven, CT, Walker Art Center, Minneapolis, MN, and Brooklyn Academy of Music, Brooklyn, NY Islas, Centro Atlantico De Arte Moderno, Gran Canaria, SPAIN, La Granja, Teneriffe, SPAIN, and Centro Andaluz de Arte Contemporaneo, Seville, SPAIN Quiet in the Land: Everyday Life, Contemporary Art, and the Shakers, Institute of Contemporary Art, Maine College of Art, Portland, ME, and Institute of Contemporary Art, Boston, MA Untitled Depot, Insite 1997, Tijuana, MEXICO and San Diego, CA Projects: How to build and maintain the virgin fertility of our soul, P.S. 1 Contemporary Art Center, Long Island City, NY Pursuit of the Sacred; Evocations of the Spiritual in Contemporary African American Art, Betty Rymer Gallery, School of the Art Institute of Chicago, Chicago, IL
  • 1996
    3 Legged Race: Janine Antoni, Marcel Odenbach, Nari Ward, Harlem Firhouse Space, New York, NY Ascension: David Hammons, Gabriel Orozco, Nari Ward, Deitch Projects, New York, NY Jimmie Durham, Katherina Fritsch, Nari Ward, Nicole Klagsbrun Gallery, New York, NY Everything That's Interesting Is New: The Dakis Joannou Collection, Athens School of Fine Art, Athens, GREECE New York On My Mind, Maison des Arts, Crıteil, FRANCE The Listening Sky, Studio Museum in Harlem, New York, NY The Quiet in the Land:Everyday Life, Contemporary Art, and the Shakers, Sabbathday Lake Shaker Community, New Glouchester, ME
  • 1995
    American Visionaries, a collaboration with Bill T. Jones, Max Roach and Toni Morrison, Lincoln Center, New York, NY 1995 Whitney Biennial Exhibition, Whitney Museum of American Art, New York, NY Dialogues of Peace, United Nations Organization, Geneva, SWITZERLAND
  • 1994
    Heart of Darkness, Kroller-M™ller Museum, Otterlo, THE NETHERLANDS Nor Here Neither There, Los Angeles Contemporary Exhibitions (LACE), Los Angeles, CA 2000 XLV Bienale di Venezia, Venice, ITALY
  • 1992
    Contemporary Sculpture, Kenkeleba House, New York, NY
  Bibliography  
 

2001 Allerholm, Milou. "On Arkipelag 2", The Nordic Art Review, SUMMER, 1998, pp. 80-81. Kaplan, Janet. "The Quiet in the Land: Everyday Life, Contemporary Art, and the Shakers; A Conversation with Janet Kaplan", Art Journal, SUMMER, 1998, pp. 5-27. 2002 Larson, Kay. "A Month in Shaker Country", The New York Times, AUG 10, 1997, pp. 30-33. 2000 Sirmans, Franklin. "Rites of Passage; The Studio Museum in Harlem charts its future by revisiting its recent past", Art; Review, Time Out New York, Issue 224, JAN 6-13, 2000. 1998 Oguibe, Olu. "Studio Call Nari Ward", Nka Fall/Winter 1998. Allerholm, Milou. "On Arkipelag 2", The Nordic Art Review, SUMMER, 1998, pp. 80-81. 1997 Barclay Morgan, Anne. "3-Legged Race". Sculpture, MAR 1997, pp. 57-58. Larson, Kay. "A Month in Shaker Country", The New York Times, AUG 10, 1997, pp. 30-33. 1996 Camhi, Leslie. "Other Rooms", The Village Voice, OCT 9, 1996, p. 83. Cotter, Holland. "3 Legged Race", The New York Times, SEP 27, 1996. Frankel, David. "Happy Smilers", ArtFORUM, OCT, 1996, p. 116. Gear, Josephine. "3 Legged Race", Review Magazine, OCT 1, 1996. Halle, Howard. "Nari Ward, Happy Smilers", TimeOUT New York, MAR 27, 1996. Levin, Kim. "Happy Smilers; Duty Free Shopping", The Village Voice, MAR, 1996. Pace, Alessandra. "Nari Ward, In the Inside of a Sunshower", Flash Art, OCT, 1996, pp. 76-79. Pederson, Victoria. "Gallery Go Round", PAPER, APR, 1996. Princenthal, Nancy. "Nari Ward at Deitch Projects", Art in America, SEP, 1996. Saltz, Jerry. "3 Legged Race", TimeOUT New York, OCT 10, 1996, p. 30. 1995 Goldberg, Paul. "Klaus Kertess and the Making of the Whitney Biennial", The New York Times Magazine, FEB, 1995, pp. 30-39. Huitorel, Jean-Marc. "Nari Ward", Art Press, MAR 19, 1995, p. 64. Johnson, Ken. "Big Top Whitney", Art in America, JUN, 1995, pp. 38-43. Kertess, Klaus. "Looking at the Future", Elle Dıcor, NOV, 1995, pp. 61-66. Kimmelman, Michael. "Harlem Sculpture Garden", The New York Times, SEP 22, 1995, p. C1. Napack, Jonathan. "Art Diary", The New York Observer, APR 17, 1995. Stevens, Mark. "A Polite Biennial", New York Magazine, APR 1, 1995, pp. 56-57. Wallach, Amei. "Debating The Color Line", New York Newsday, FEB 8, 1995, pp. 84-85. 1993 Deitch, Jeffrey. "Nari Ward: Aperto", Flash Art, SUMMER, 1993, p. 97. Smith, Roberta. "Gallery View: Examining Culture Through Its Castoffs", The New York Times, NOV 28, 1993, pp. H39-44. Vetroc, Marcia E.. "Identity Crisis", Art in America, SEP 1993, pp. 106-109.